Actor Boy Sta. Romana was a member of a closely-knit group of teenage boys known as the Lo’ Waist Gang. The original group was composed of Fernando Poe, Jr., Zaldy Zshornack, Berting Labra, Boy Francisco, Butch Bautista, Mario Antonio, Bobby Gonzales, Tony Cruz and Boy Sta. Romana. Chiquito and Paquito Toledo followed later. Their first movie in 1956 was named after their gang. It was the first of the highly successful series of Lo' Waist Gang movies. It made FPJ a star. Because of the gang's popularity, some members of the group were soon provoked and set upon by some rival gangs out to test them. FPJ and the rest of the group were often found themselves in hot waters. One unfortunate incident involved Boy Sta. Romana, a hot-tempered member of the group who met an untimely death at a young age of 25. Here's that story that became an headline item in 1961.
see Lo' Waist Gang Movies
Movie tough guy “Boy” Sta. Romana, 25, was killed and a Quezon City policeman and a weathy textile industrialist’s son were wounded in a gunfight at the LVN Pictures compound on Central Boulevard, Quezon City, about 9:20 last night. The wounded were Patrolman Victor Buenaventura and Edgardo Pascual, 27, of the wealthy Pascual family in Quezon City. Both were taken to the Quirino Labor Hospital in serious condition. They sustained one wound each in the abdomen. Sta. Romana, whose first name off screen was Primitivo, sustained three wounds in different parts of the body. He died on the wet pavement in front of the LVN studio where the shooting occurred under a heavy drizzle.
Sta. Romana was in the LVN compound with Joseph Estrada and a movie actress Perla Bautista y Garcia, 21, at the time of the shooting. Estrada was taken in for questioning after the shooting. Also questioned by investigators was Francisco Ruben, owner of a car in which Buenaventura and Pascual were reported to have ridden in going to the LVN compound and who took the wounded men to the hospital.
Ruben, 29, employee of the Pascual textile firm and who resides at the Shellborne Hotel, told investigators that he, Pascual and Buenaventura were driving near the LVN compound when two young girls excitedly told them that a man was threatening people in the compound with a gun. Buenaventura, being a policeman but who was in plain clothes as he was off-duty, reportedly drove towards the gate of the studio grounds. There he asked to be let in by two guards so that he could go and disarm the troublemaker, who happened to be Sta. Romana. The guards, Eduardo de Guzman, 52, and Roman Badenas, 26, let Buenaventura and his companions in after ascertaining that Buenaventura was a policeman. When they were in the compound, Buenaventura reportedly identified himself to Sta. Romana and asked the latter to surrender his gun. Sta. Romana did not give up his gun and the shooting started.
Another version pieced by the police from the testimony of some witnesses was that late yesterday afternoon, Sta. Romana was with Armando Garces, movie director, Estrada and Perla Bautista at Eugene’s restaurant in Cubao. Shortly after they arrived at the restaurant, Pascual, whose family owns the La Consolacion building near the restaurant, arrived in front of the eatery with a girl known only as “Haydee.” Haydee, who apparently knew Perla Bautista, called the latter outside the restaurant. Thinking that it was Pascual who had called Perla outside, drew his gun and challenged Pascual to a duel. Pascual, however, refused to fight although he reportedly had a .38 caliber revolver with him at the time. While Sta. Romana was challenging Pascual to a duel, Estrada came out of the restaurant and slapped Perla in front of Pascual and the rest. In order to avoid trouble, Pascual then took Haydee away and later went to the house of Buenaventura, his friend, to tell him about the incident. Subsequently, Buenaventura and Ruben, who had now joined Pascual, went to the house of one Pablo Santiago, a lawyer, to consult the latter on the possible legal action to be taken against Sta. Romana and Estrada. While they were talking with Santiago, somebody reported to Buenaventura that Sta. Romana was in the LVN compound threatening studio personnel and other people with a gun. Buenaventura, although he was off-duty, decided to go to disarm Sta. Romana. He and his companions left on Ruben’s car. When they reached the studio gate, the guards let them in as soon as Buenaventura identified himself as a policeman. The shooting occurred shortly after the trio had entered the gate.
Police later found Sta. Romana’s body lying face down on the wet pavement, one hand still holding his gun, a .38 caliber Luger-type pistol. Police ballistics experts said they would conduct tests to determine whether all the bullets that hit Buenaventura and Pascual were fired from Sta. Romana’s gun, or whether some of them came from another gun. Tests would also be conducted to find out whether Sta. Romana’s three wounds were inflicted by Buenaventura’s .38 caliber pistol, police said.
Still, another version of the shooting was given by the gate guards. De Guzman told investigators that Sta. Romana arrived at the LVN lot in a car with two companions. One of the actor’s companions was said to be Estrada. Approximately five minutes later, another car bearing three men arrived. The new arrivals reportedly asked De Guzman if Sta. Romana was around. On of them told the guard to tell Sta. Romana that “Esco” was looking for him. The security guard went inside to tell Sta. Romana about the presence of the three men at the gate. Sta. Romana then told the guard, “papasukin mo sila.” A few moments after, shooting erupted within the compound.
The Manila Chronicle
July 22, 1961
Follow-up articles on the incident:
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