In a videotaped interview, Manuel Conde recounted the problems of shooting "Principe Teñoso." There was a scarcity of film stock as the local Kodak store had been looted by the rig-drivers of Binondo. However, they were able to salvage a few rolls from the stables. There was also severe film censorship. The Japanese demanded that every form of entertainment--- movies as well as stage plays and vaudeville---carried some form of Japanese propaganda. Conde’s problem was that there were no Japanese during the time of Principe Teñoso. How could you inject propaganda in a 19th century setting? He finally solved it by stamping the glass of milk the princess was drinking with a trademark: Made in Japan.
Source: “War and its Aftermath in Philippine Cinema by Agustin Sotto



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