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Showing posts with label ROSARIO MORENO. Show all posts
Showing posts with label ROSARIO MORENO. Show all posts

Wednesday, November 19, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, JOSE PADILLA, JR., ERNESTO LA GUARDIA, WITH BILLY VIZCARRA, ROSARIO LAM, PACITA DEL RIO, JOSE NIETO, ANA GARCIA, BABY CITA ROSAL IN "DATING SUMPAAN" (1940)

The year's top rate dramatic film fare, "Dating Sumpaan," opens today at the Grand for its regular exhibition and it's time the cine-goers "must" see it. Featuring three outstanding film personalities in the stellar cast — Rosario Moreno, Jose Padilla, Jr. and Ernesto La Guardia— and bearing a novel theme, this latest Excelsior creation, directed by Carlos Padilla, has an entertainment quality of the highest grade.

Rosario Moreno interprets the novel role of a private nurse who is loved by two men— Jose Padilla, Jr. as one and Ernesto La Guardia as the other. Replete with such stirring complications as Padilla's marrying another woman and his meeting with Rosario Moreno years after.

"Dating Sumpaan" is the kind of photoplay that everybody will go for. What develops after the meeting and what becomes of Ernesto La Guardia — all of which you have to find out for yourself — furnish the powerful climax. The story was jointly written by Excelsior Production Manager Luis F. Nolascco and Fidel de Castro. Musical direction was by Miguel Velarde, Jr.

It's a matter of life and death — but he must live. Rosario Moreno looks apprehensively at Ernesto La Guardia, the attending physician during this crucial moment with her lover's life hanging at a thread's end. Padilla is being operated on for some serious ailment. The above scene, incidentally, is the most suspenseful as well as expensive in "Dating Sumpaan" in that it marks the meeting for the first time in years of  Rosario Moreno and Jose Padilla,Jr. and necessitated no little effort on the part of Excelsior Setting Director Francisco Pineda. The entire studio lot of Excelsior was transformed into an operation room with the cooperation of I.C. Model & Co., a leading firm in Manila dealing in hospital and surgical apparatus and implements. Through special arrangements, hospital implements and apparatus valued approximately at P2.000.00 were lent to Excelsior Picture, Inc. to put over the above scene.
(The Tribune, November 7, 1940)



"Dating Sumpaan" (1940)
Excelsior Pictures, Inc.
Release Date November 7, 1940/ Grand Theater
Story Luis F. Nolasco, Fidel de Castro
Music Miguel Velarde, Jr.
In Charge of Production Luis F. Nolasco
Direction Carlos Padilla
Cast Rosario Moreno, Jose Padilla, Jr., Ernesto La Guardia, with Billy Vizcarra, Rosario Lam, Pacita del Rio, Jose Nieto, Ana Garcia, Baby Cita Rosal




Sunday, November 16, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, ERNESTO LA GUARDIA, WITH NATY RUBI, PEDRO FAUSTINO, MANUEL BARBEYTO, FRANCO GARCIA, GUILLERMO E. CARLS, JOAQUIN GAVINO, MERCEDES DE GAVINO IN "MAHAL PA RIN KITA" (1940)/ UPDATED

This thing called love, outside of its being sweet, can be anything from funny to a pain in the neck. You may not believe it, but surely you will when you see "Mahal Pa Rin Kita," Excelsior's latest vehicle which opens at the Grand theatre today.

Two prominent flicker figures, Rosario Moreno and Ernesto La Guardia, join hearts for the first time in this vastly entertaining romantic photoplay, supported by a notable cast of seasoned players — Nati Rubi, Pedro Faustino, Manuel Barbeyto, Franco Garcia, Guillermo E. Carls, Joaquin Gavino, Mercedes de Gavino, Consuelo Menendes and Digna Amor.

The story has it that lovebirds Moreno and La Guardia have been romantically inclined since childhood and are both a-dither about settling down and building up a home. But villain Barbeyto, well-off and well-groomed, butts in, and "poor boy" La Guardia — he gets to thinking that a rich lover is what his rich girl friend wants for a better half. La Guardia gets sore and jealous. He also gets cold feet and drifts apart. So girl loses boy and vice-versa. You can't put a good love down, as much as a good man, which about sums up the perfectly intriguing climax. It's ten to one; you'll thrill to it and to the picture in general. And don't you be surprise should you wish to see another Moreno-La Guardia vehicle pretty soon.

Rosario Moreno gets away with another glorious acting triumph, and Ernesto La Guardia, not to
b« outdone, makes a clean job of personifying the lover-come back here.. fhe story was written by Agustin V. Reyes. Settings went all the way from the studio to far-off Canlubang, Laguna where beautiful hacienda cites were taken to serve as a fitting provincial background. Musical interludes were by Constancio de Guzman. Jesus Carreon, until previously assistant to Director Octavio Silos turns full-fledged director with "Mahal Pa Rin Kita," and justifies creditably his well-deserved promotion. Director Silos gave a good hand by aiding and supervising in the complicated routine of motion picture direction.

(The Tribune, September 21, 1940)




“Mahal Pa Rin Kita” (1940)
Excelsior Pictures, Inc.
Release Date September 21 -27, 1940/ Grand Theater
Story Agustin V. Reyes
Music Constancio de Guzman
Direction  Jesus Carreon
Cast Rosario Moreno, Ernesto La Guardia, Nati Rubi, Guillermo E. Carls, Pedro Faustino, Franco Garcia, Joaquin Gavino, Mercedes de Gavino, Consuelo Menendez, Digna Amor




Saturday, November 15, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, LEOPOLDO SALCEDO, WITH FERNANDO ROYO, NATI RUBI, ANDOY BALULBALUNAN, DELY ATAYATAYAN AND PUGO & TOGO IN "LIBINGANG BAKAL" (1940)


"Libingang Bakal" (1940)
Filippine Films
Release Date August 7, 1940/ Fox Theater
Story Jovita Martinez Memije
In Charge of Production Luis F. Nolasco
Direction Guilermo J. Icasiano
Cast Rosario Moreno, Leopoldo Salcedo, with Fernando Royo, Nati Rubi, Andoy Balunbalunan, Dely Atayatayan and Pugo & Togo

(Image, courtesy of Pinoy Kollektor)


Wednesday, November 12, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, JOSE PADILLA, JR., WITH FERNANDO ROYO, PEDRO FAUSTINO, NATI RUBI, FRANCO GARCIA, EXEQUIEL SEGOVIA, PUGO & TOGO, CLARITA DE RUIZ, MERCEDES DE GAVINO IN "MAGPAKAILAN MAN" (1940)

Excelsior Pictures presents “Magpakailan Man,” a deeply moving drama about a blind beggar girl who finds love in an idle, luck-chasing gambler—and her remarkable rise from poverty. Opening today at the Grand Theatre, the film bears the distinctive directorial touch of Carlos Padilla, acclaimed for such well-received works as “Sa Dating Pugad” and “Ave Maria.”

Critics hail “Magpakailan Man” as one of Excelsior’s finest dramatic offerings to date. Rosario Moreno, among the brightest stars in Philippine cinema, delivers a memorable portrayal of the blind heroine with a realism so convincing it transcends mere acting. This challenging role—her first of its kind—further showcases her emotional depth and artistry.

Opposite her, Jose Padilla, Jr. gives a sincere and compelling performance as the unemployed young man who turns to gambling to survive. Together, Moreno and Padilla form a screen partnership that brings heart and humanity to Gervasio Santiago’s touching story.

The film weaves pathos, intrigue, and suspense through the intersecting lives of the humble beggar and the reckless gambler. There is heartbreak in the heroine’s failure to recognize her devoted lover—and ultimate joy when fate reunites them in a moving finale.

Rounding out the cast are Fernando Royo, Pedro Faustino, Nati Rubi, Franco Garcia, Exequiel Segovia, Pugo & Togo, Clarita de Ruis, and Mercedes de Gavino.

Musical direction is by Miguel Velarde, Jr., whose tuneful compositions add warmth and charm to the production. Luis F. Nolasco served as production manager.

“Magpakailan Man” stands as a tender and heartfelt story of love, sacrifice, and redemption—an Excelsior production sure to touch audiences “for all time.”  (The Tribune, June 20, 1940)

The movie was released and shown at Grand Theater, June 20, 1940.



"Magpakailan Man" (1940)
Excelsior Pictures, Inc.
Release Date June 20, 1940/ Grand Theater
Story Gervasio Santiago
In charge of production Luis F. Nolasco
Direction Carlos Padilla
Cast Rosario Moreno, Jose Padilla, Jr., with Fernando Royo, Pedro Faustino, Nati Rubi, Franco Garcia, Exequiel Segovia, Pugo & Togo, Clarita de Ruiz, Mercedes de Gavino





(Courtesy of Pinoy Kollektor)

Saturday, November 8, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, RUDY CONCEPCION, WITH SILVIA ROSALES, NATY BERNARDO, PEDRO FAUSTINO, NATI RUBI, FRANCO GARCIA, BILLY VIZCARRA, JOAQUIN GAVINO IN "PAKIUSAP" (1940)/ UPDATED

Pakiusap (1940), one of only five , now six, surviving pre-war Filipino movies, starred Rosario Moreno and Rudy Concepcion, whose screen tandem was extremely phenomenal and well-loved during their time.


"Pakiusap" (1940)
Excelsior Pictures, Inc.
Release Date March 28, 1940/ Grand Theater
Story Luis Nolasco
Direction Octavio Silos
Cast Rosario Moreno, Rudy Concepcion, Silvia Rosales, Naty Bernardo, Pedro Faustino, Nati Rubi, Franco Garcia, Billy Vizcarra, Joaquin Gavino







Rudy Concepcion and Rosario Moreno 
(photo, courtesy of Cesar Hernando)



Synopsis:
Don Andres (Franco Garcia) and his son, Ernesto (Rudy Concepcion) were both in love with a pretty barrio lass, Amparing (Rosario Moreno), whose principled father, Mang Teong (Pedro Faustino) was working on the hacienda owned by Don Andres. Mang Teong was not in favor of Don Andres and his intention towards Amparing. He advised her daughter not to receive any gifts from Don Andres.

Ernesto, the good-looking son of Don Andres, on the other hand, disguised himself as a lowly farmer from a nearby barrio so as to get near Amparing. The two eventually fell in love.


Life became hard on the family of Amparing--- Mang Teong was fired from his job when he vehemently refused Don Andres’ gifts in exchange of Amparing’s hand. Her mother, Aling Clara (Naty Bernardo) was down due to a lingering illness. At the same time, she learned of Ernesto’s true identity. Amparing, feeling he was betrayed, broke off with Ernesto.


Amparing tried to look for job but to no avail. Desperate, she decided to approach Don Andres and ask for financial assistance--- for his father, who was in jail and for her ailing mother for the medical needs. In return, she had to marry Don Andres.


Ernesto returned and learned of Amparing’s upcoming marriage to his father. In a drastic move, he snatched Amparing.

It was a happy ending for the couple as Don Andres realized his mistake and ask for forgiveness.




As Amparing (Rosario Moreno) in one of the several unforgettable musical numbers.


Don Andres (Franco Garcia) woos Amparing


Amparing


Mang Teong advises Amparing


Rudy Concepcion as Ernesto serenading Amparing


Another musical number--- a duet between Amparing...


... and Ernesto


Pedro Faustino as Mang Teong


Ernesto and Ester (Sylvia Rosales)


Amparing and Ernesto in a confrontation scene


Don Andres and son Ernesto


Ernesto races against time


Ernesto asks Amparing to go with him


The couple escapes in a banca


The finale

Monday, November 3, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, RUDY CONEPCION, TITA DURAN, WITH PRECIOSO PALMA, NATI RUBI, NATY BERNARDO, EXEQUIEL SEGOVIA, JOAQUIN GAVINO, MERCEDES DE GAVINO IN "TUNAY NA INA" (1939)


"Tunay na Ina" (1939)
Excelsior Films
Release Date December 19, 1939/ Grand Theater
Music Miguel Velarde, Jr.
Written and Directed by Octavio Silos
Cast Rosario Moreno, Rudy Concepcion, Tita Duran, with Precioso Palma, Nati Rubi, Naty Bernardo, Exequiel Segovia, Joaquin Gavino, Mercedes de Gavino






Rosario Moreno and Rudy Concepcion


Tunay na Ina tells of a mother's search for her lost daughter. Here's a rare clip of that movie---

Courtesy of Excelsior Films

Synopsis: Magdalena (Rosario Moreno) becomes pregnant because she was raped by Antonio (Exequiel Segovia). Before his death, her father (Precioso Palma) gives up the baby for adoption, thinking that no man can ever understand her past. Magdalena is engaged to Roberto (Rudy Concepcion), a decent, well-off young man. Haunted by her conscience, Magdalena writes Roberto a letter, admitting her past. Her aunt, afraid that the wedding may be called off, intercepts the letter and hides it. Assuming that Roberto has accepted her in spite of her past, she marries him.

Magdalena later becomes increasingly aware that Roberto does not know the truth about her. She tries to locate her lost child. Eventually, she sees a child that she thinks is her missing daughter. The child, Tita (Tita Duran), recognizes Aling Andang (Naty Bernardo) as her mother. The story of how Tita came to Andang matches the story of how Magdalena’s baby was given away. Magdalena is now sure that Tita is her child.

Meanwhile, Antonio comes back and blackmails
Magdalena. When Magdalena later refuses to give him more money, Antonio tells Roberto the truth. Roberto throws Magdalena out of the house. She goes to Andang and Tita to spend time with her daughter, not knowing that Junior, her son by Roberto is gravely ill. Junior dies. Magdalena is only redeemed in Roberto’s eyes when the aunt produces Magdalena’s letter. After Andang almost comes to death on Christmas Eve, Magdalena decides to adopt both Tita and Aling Andang into their homes.


Tuesday, October 28, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, CARLOS PADILLA, NATY BERNARDO, WITH FERNANDO ROYO, MARIA MIRANDA, MIGUEL ANZURES, EXEQUIEL SEGOVIA, JOAQUIN SAN AGUSTIN, JOAQUIN GAVINO, JOSE BERNARDO IN "SIYA'Y AKING ANAK" (1939)


"Siya'y Aking Anak" (1939)
Sampaguita Pictures
Release Date July 23, 1939/ Grand Theater
Story Luis F. Nolasco and Carlos Padilla
Direction Carlos Padilla
Cast Rosario Moreno, Carlos Padilla, Naty Bernardo, with Fernando Royo, Maria Miranda, Miguel ANzures, Exequiel Segovia, Joaquin San Agustin, Joaquin Gavino, Jose Bernardo

Tuesday, October 21, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO AND ROGELIO DE LA ROSA, WITH SILVIA ROSALES, ERNESTO LA GUARDIA, MIGUEL ANZURES, SOLEDAD AQUINO, NATI RUBI, PRECIOSO PALMA IN "LAGOT NA KUWINTAS" (1939)/ UPDATED

"She willingly drowned herself into a sea of bitter miseries just to save her family honor from stain and destruction! A soul stirring hit flaring with tears!... cheers!... thrills!..." says the ad in this 1939 drama, "Lagot na Kuwintas."

The movie, directed by Carlos Padilla, starred Rosario Moreno, Rogelio dela Rosa, Silvia Rosales, Ernesto La Guardia, Miguel Anzures, Soledad Aquino, Naty Rubi, Precioso Palma, Billy Vizcarra, Joaquin Gavino and Patring Gomez.

It was released and shown at Grand Theater, February 24, 1939.



"Lagot na Kuwintas" (1939)
Sampaguita Pictures Inc.
Release Date: February 24- March 2, 1939/ Grand Theater
Director Carlos Padilla
Cast
Rosario Moreno, Rogelio dela Rosa, Silvia Rosales, Ernesto La Guardia, Miguel Anzures, Soledad Aquino, Naty Rubi, Precioso Palma, Billy Vizcarra, Joaquin Gavino, Patring Gomez




"Movie flyers have been used by theater owners as promotional ads to drum up business for movies. They would print them up from materials provided by the studio, adding information on local screening times and locations. Although they were cheaply produced, many of the flyers were quite nicely designed and are now considered highly collectibles. In many cases the original films have been lost, making the surviving flyers the only visual record of numerous movies."

Sunday, October 12, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, RUDY CONCEPCION, WITH TITA DURAN, ANDRES CENTENERA, NATI RUBI, MIGUEL ANZURES, SOLEDAD AQUINO IN "ALIPIN NG PALAD" (1938)

"Here's the most gripping story of a woman whose life rested between the cruel fangs of fate, blasting with agonizing misery and torturing tragedy!," says the ad in this 1938 romantic drama, "Alipin ng Palad."

Hailed as “the greatest dramatic hit of the year,” the film featured an impressive cast led by Rosario Moreno, Rudy Concepcion, and Tita Duran, with Andres Centenera, Nati Rubi, Miguel Anzures, Soledad Aquino, Carmen Martinez, Gloria Imperial, Tomasa Alvarez, and Enrique Espinoza, under the direction of Octavio Silos.

It was shown at Grand Theater, August 11, 1938.



"Alipin ng Palad" (1938)
Sampaguita Pictures
Release Date August 11, 1938/ Grand Theater
Written and Directed by Octavio Silos
Cast Rosario Moreno, Rudy Concepcion/ with Tita Duran, Andres Centenera, Nati Rubi, Miguel Anzures, Soledad Aquino, Carmen Martinez, Gloria Imperial, Tomasa Alvarez, Enrique Espinoza








 

Tuesday, September 30, 2025

MORE ON PRE-WAR TAGALOG MOVIES: ROSARIO MORENO, ROGELIO DE LA ROSA, SOLEDAD AQUINO, WITH TEDDY BENAVIDES, TITA DURAN IN "INANG MAHAL" (1938)

Released on February 10, 1938, at the Grand Theatre, Sampaguita Pictures’ "Inang Mahal" was hailed as a dramatic masterpiece, following the studio’s earlier hit "Bituing Marikit." Adapted from Simeon P. Arcega’s "Mag-Inang Ulila," the film tells the moving story of a widowed mother struggling to raise her son, their eventual separation, and emotional reunion. Directed by Octavio Silos, noted for "Sa Paanan ng Krus" and "Teniente Rosario," the production was praised for its realism, emotional depth, varied settings, and strong moral theme—earning recognition as one of the most compelling locally produced films of the time. 

The movie starred Rosario Moreno, Rogelio de la Rosa, Soledad Aquino,Teddy Benavides, Tita Duran, Carmen Martinez, Melquiades Francisco, Freddy Querry, Mariano Adan, Rolando Liwanag, Ramon Escudero and others.



"Inang Mahal" (1938)
Sampaguita Pictures
Release Date February 10, 1938/ Grand Theater
Story Simeon P. Arcega
Direction Octavio Silos
Cast Rosario Moreno, Rogelio de la Rosa, Soledad Aquino/ with Teddy Benavides, Tita Duran, Carmen Martinez, Melquiades Francisco, Freddy Querry, Mariano Adan, Rolando Liwanag, RamonEscudero and others

"INANG MAHAL"— SAMPAGUITA'S PULSE-
POUNDING DRAMA OPENS TODAY AT GRAND

For being tremendously touching and completely different from other pictures of the same kind, our local show audience will find their desire sufficiently up to the extreme when "Inang Mahal." Sampaguita’s dramatic masterpiece is released for
public showing at the Grand Theatre today, Feb. 10, 1938.

This is the Sampaguita Pictures second production, in which like its first "Bituing Marikit,” the recent record-breaking musical sensation, all efforts have been exerted by the technical staff and those in the cast in making it one of the best, if not definitely the best locally produced picture. With a considerably great sum of money spor.t in reproducing the different settings, "Inang Mahal," will undoubtedly capture the satisfaction of everyone. It bears a great moral theme overfilled with untiring suspense and emotion.

Powerful Story

Characterized with vivid and touching reality is the story of “Inang Mahal," the version of which was adapted from Simeon P. Arcegas dramatic masterpiece. "Mag-Inang Ulila." Every detail in the original story is included in the screen adaptation and treated with the greatest emphasis on beauty and realism, two of the factors that decide the success of every picture.

The plot is woven around the life of a mother, who after the death of hcr husband, was left alone with her little son to face life-battles. The intriguing circumstances in the whole story from the time the mother spent m bringing up her son until their separation, and lastly their final reunion, provide the stirring suspense and climax in the picture.

The settings are of big and wide variety as they cover both city and provincial backgrounds.

Ace Drama Director

With Director Octavio Silos, outstanding producer of record-breaking productions, "Inang Mahal" easily covets the unique reputation of being the first capably directed picture for the current year. Mr.Silos is credited with long years of picture-making experience His wide and thorough knowledge in the art makes "Inang Mahal" the topnotcher among his previous accomplishments. During the early filming of the picture. Director Silos encountered several hardships, which would have spelled discouragement and defeat for others, but he managed to overcome them all through sheer patience and love for the art. Those who applauded to the greatness of "Sa Paanan Ng Kruz' and "Teniente Rosario," two of Director Silos' early productions, will applaud more to the tasting glory and appeal of this sweeping and perfectly realistic human drama.

Brilliant Cast

The imposing cast in "Inang Mahal gives the picture an overwhelming importance. Rogelio de la Rosa, the screen idol, Rosario Moreno, the charming star, and Soledad Aquino, interpreting the mother role, head the list, with Teddy Benavides and Tita Duran, local screen's versatile child-star. This is the first picture in which Rogelio de la Rosa and Rosario Moreno are teamed together; critics have expressed their approval to the convincing perfection with which the two portray their roles. Rogelio is cast as the grown-up son, whose love for his mother pushed him on to his high ambition, fully knowing that after its realization, he would be able to give his mother all the comforts in life, which she failed to have during the early days. Rosario Moreno perfectly interprets the heroine's role. Her long years in the movies have given her ample training and experience 'so that the mastery with which she portrays her part had
been fully anticipated even before the commence of the filming.

Soledad Aquino — Foremost Screen Mother

Contributing to the greatness of "Inang Mahal" in a very high degree is Soledad Aquino's portrayal of the unfortunate mother. Aquino's capability in handling her part merits all the praises of the critics for its originality and richness of appeal. She admits that this kind of role is her favorite despite of the fact that she's relatively young in age. Movie fans will find out for themselves without the least doubt how remarkable she handles her role, and it is a foregone conclusion that
a big increase in her popularity and fame will be noted with this picture.

(The Tribune, February 10. 1938)




(Images above and below, courtesy of Casa Grande)




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